Precarity

Zeitgeist

I Am Multitudes

In July 2019, something snapped in the Kenyan performance artist Ogutu Muraya, who was living in Amsterdam at the time. He decided to stop applying for European visas and return to Nairobi. His decision was motivated by a desire to ‘go beyond Europe’, to free his imagination, to transcend internal limits rather than merely trying to cross physical borders. In this text, he tells us how he intends to continue his artistic practice and maintain his presence – but strictly on his own terms.

Zeitgeist

Reframing European Cultural Production: From Creative Industries towards Cultural Commons

Professor Pascal Gielen (Antwerp University) did research on the biotope around artistic careers, on the role of institutions, and how the transnational creative industries and the longing for a monotopic European identity put pressure on this biotope. Gielen formulates a number of suggestions on how a healthy artistic biotope may be maintained in the future, and how artists can offer us a more complex heterotopic understanding of Europe in a globalising world.

Zeitgeist

Wages for and against Art Work: On Economy, Autonomy, and the Future of Artistic Labour

In her article, Katja Praznik deconstructs the idea of artistic work as an expression of individual creativity independent from the economy and its processes. She demonstrates that this persistent ideology of autonomy of the arts contributes to the precarious position of artists and the exploitative working relations in the arts sector. Instead, she suggests to look at artistic work as labour, embedded in economy and subject to the economic relations. Taking inspiration from the arguments for the recognition of invisible labour put forward by Marxist feminists, Praznik calls for a demystification of creativity and supports the imperative of artistic remuneration, as a necessary step towards a broader goal of redefining value and labour in our society.

Zeitgeist

Overproduction

This article was published in an issue (1/2020) of the Polish Magazine Dialog that deals with artistic labour. Overproduction results from the penetration of market mechanisms to all areas of our lives, fields of creativity, and institutions in which we work. It is an element of the system preying on our activity, because it is primarily this mobility – not content and sense – that generates profits. When we stop, get tired or stand aside – we become redundant to the system.

Zeitgeist

A Short History of Unnoticed Notifications

Gathered around the storyboard of a comic book describing an Eastern European art worker, an uncanny, quirky cast of characters find themselves in a heated political debate. Revealing layer upon layer of unanswered questions, forgotten convictions, eternal doubts, ethical inconsistencies and abandoned dreams, Milikić depicts a world in which art workers navigate between cynicism and ideals. With strength, conviction and lots of humour, he advocates for keeping one’s course in the murky waters of compromise and concessions.

Interview

The Home, the Suitcase, and the Social Fabric — An interview with Pedro Costa

Pedro Costa is professor at the Department of Political Economy at the ISCTE – Instituto Universitário de Lisboa and director of DINAMIA’CET-iscte (Research Center on Socioeconomic Change and Territory). An economist with a research specialization in urban and regional planning, Costa works on areas of territorial development and cultural economics. In the context of RESHAPE, he was the facilitator of the trajectory Value of Art in the Social Fabric, where the question of how to better understand the impact, tangible and intangible, of artists and their work on the local context was raised. In this conversation, we explore some of the processes and outputs of this trajectory.

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