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Heba el-Cheikh

Heba elCheikh is an outdoor performances producer, Steering committee member of Circostrada network, local Associate of NESTA Culture Entrepreneurship Programme in Egypt and a Clore Fellow 2016-2017. She studied French, translation and journalism and in 2012 she had her Masters degree in Arts Management, in focus on community arts and evaluation at Utrecht School of the Arts, the Netherlands. In 2011, she co-founded Mahatat for contemporary art. Believing in the democratization of the arts, the cultural manager aims to decentralize the arts making it available to everyone, through arts in public spaces and community arts projects. Her working experiences range from culture management, facilitation, interpreting and journalism (radio and print media) to website editing. In 2009, she co-founded The “Journey cultural Group” in Alexandria, aiming to promote youth creativity and critical thinking through culture and arts.

She is a published author, she published her first travel book in 2017 in Arabic, with and in 2015, she published her thesis: Community Arts Evaluation Practices in Egypt, Lap Lambert Academic Publishing. Having travelled to Morocco, France, Spain, Kenya, Italy, England, Belgium, Germany, Syria, Indonesia, Thailand and the USA, ElCheikh published fieldwork-based articles in French and Arabic weeklies and magazines and covers arts and traveling, and tackles local community life style, culture and legacy.

Related articles

The first RESHAPE workshop will discuss transnational/postnational artistic practices

The notion of transnationality/postnationality offers a tempting perspective. It inspires to change the mindset for a while; to get rid of currently dominating patterns of thinking and operating, that most often represent the dominant structure of national states. However promising it may sound, to most of art workers it would be a misleading fantasy: for the actual political map does influence our professional and private lives on the every day basis, shaping our ways of thinking and enabling or interrupting relations.


Transnational/Postnational Artistic Practices: Imaginary Marseille

The last week of April was supposed to be the time for a meeting of the trajectory Transnational/Postnational Artistic Practices in Marseille, but the lockdown that is in power in many countries due to the Corona virus outbreak conditioned us to deeply reshape our project that is largely based on travelling and physical meetings.

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